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The concept centered on a simple, relatable idea: sakit maag doesn't wait for a convenient moment, and neither should the solution. Selipin, tucking it in, slipping it into the pocket, the bag, the glovebox, became the visual and verbal thread running through all three key visuals.
The first, KV Mudik, put us inside the familiar chaos of the homecoming drive. A packed car, luggage strapped to the roof, city traffic crawling in the background, and a young man leaning out the window holding up his strip of Promag like a small victory flag while his mother beside him nurses visible discomfort. It's a scene almost every Indonesian recognizes instantly, the long road home and the stomach that starts protesting somewhere around hour three.
KV Bukber shifted the setting indoors, into the warmth and clutter of a breaking-fast gathering. Friends crowded around a table of sate and ketupat, one of them mid-wince as the inevitable happens, having overindulged after a full day of fasting, while another holds up the Promag strip like a lifeline arriving right on cue. The humor here is gentle, not mocking, the kind of shared recognition that makes advertising feel like it's in on the joke rather than lecturing from outside it.
The third, KV Greetings, stepped back from narrative entirely into a formal Lebaran greeting, five talents each dressed in soft, festive tones, hands folded in the traditional gesture of forgiveness and celebration, product held or gestured toward in each frame. It needed to read as sincere and warm first, promotional second, a genuine "Selamat Mudik dan Lebaran" before it was ever a sales message.
Underneath all three key visuals sat the quieter, more technical work, isolated product shots of the tablet strips and packaging, shot clean enough to sit confidently against each KV's green brand backdrop, plus additional coverage of the Forte and Herbal variants for wherever the campaign needed to expand.
What ties the whole campaign together isn't the traffic jam or the dinner table or the formal greeting. It's the tone, warm, a little playful, deeply familiar to anyone who has lived through an Indonesian Ramadan season. Promag isn't selling relief from illness here. It's selling relief from the very specific chaos of coming home.
Vony Wong
Advertising photographer of HIRA Imaji, Jakarta.









